Harvard Classics

2024-02-04THE UNION AND MERGING OF TYPES OF CRITICISM_LECTURES ON THE HARVARD CLASSICS
2024-02-04TYPES OF CRITICISM_LECTURES ON THE HARVARD CLASSICS
2024-02-04CRITICAL TRADITION AND THE ESSAY_LECTURES ON THE HARVARD CLASSICS
2024-02-04ARISTOTLE AND THE CRITICAL ESSAY_LECTURES ON THE HARVARD CLASSICS
2024-02-04ESSAYS AS HISTORICAL DOCUMENTS_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE AUTOBIOGRAPHICAL ESSAY_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE ESSAY AS EXPRESSIVE OF CURIOSITY ABOUT LIFE_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE BOOKISH ESSAY_LECTURES ON THE HARVARD CLASSICS
2024-02-04EFFECT OF THE RENAISSANCE ON THE ESSAY_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE ANTIQUITY OF THE ESSAY_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE FIRST MODERN ESSAYISTS_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE HISTORY OF THE WORD “ESSAY”_LECTURES ON THE HARVARD CLASSICS
2024-02-04NATIONAL CHARACTER IN THE ESSAY_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE CRITICAL ESSAY_LECTURES ON THE HARVARD CLASSICS
2024-02-04WHAT IS AN ESSAY?_LECTURES ON THE HARVARD CLASSICS
2024-02-04IMPORTANCE OF THE ESSAY IN LITERARY CRITICISM_LECTURES ON THE HARVARD CLASSICS
2024-02-04I. GENERAL INTRODUCTION_LECTURES ON THE HARVARD CLASSICS
2024-02-04I PROMESSI SPOSI_LECTURES ON THE HARVARD CLASSICS
2024-02-04MANZONI AS A POET AND CRITIC_LECTURES ON THE HARVARD CLASSICS
2024-02-04LIFE OF MANZONI_LECTURES ON THE HARVARD CLASSICS
2024-02-04V. MANZONI_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE PURPOSE AND SIGNIFICANCE OF “DON QUIXOTE”_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE EXEMPLARY TALES_LECTURES ON THE HARVARD CLASSICS
2024-02-04LITERARY ACTIVITY OF CERVANTES_LECTURES ON THE HARVARD CLASSICS
2024-02-04IV. CERVANTES_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE HISTORY OF THE GRAIL LEGEND_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE HISTORICAL AND THE LEGENDARY ARTHUR_LECTURES ON THE HARVARD CLASSICS
2024-02-04LEGEND AND ROMANCE_LECTURES ON THE HARVARD CLASSICS
2024-02-04III. MALORY_LECTURES ON THE HARVARD CLASSICS
2024-02-04CHARACTERISTICS OF POPULAR NARRATIVE_LECTURES ON THE HARVARD CLASSICS
2024-02-04INFLUENCE OF POPULAR UPON ARTISTIC LITERATURE_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE MODERN TASTE FOR POPULAR LITERATURE_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE MEANING OF “POPULAR”_LECTURES ON THE HARVARD CLASSICS
2024-02-04II. POPULAR PROSE FICTIONBY PROFESSOR F. N. ROBINSON_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE METHODS OF FICTION_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE VALUE OF FICTION_LECTURES ON THE HARVARD CLASSICS
2024-02-04DEFENSE OF THE NOVEL WITH A PURPOSE_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE AUTHOR’S PHILOSOPHY OF LIFE_LECTURES ON THE HARVARD CLASSICS
2024-02-04ARTISTIC VERSUS LITERAL TRUTH_LECTURES ON THE HARVARD CLASSICS
2024-02-04KINDS OF REALISM_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE NOVEL WITH A PURPOSE_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE PURPOSE OF FICTION_LECTURES ON THE HARVARD CLASSICS
2024-02-04SCIENCE AND PHILOSOPHY IN THE NOVEL_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE GREATER VICTORIANS_LECTURES ON THE HARVARD CLASSICS
2024-02-04GENTEEL REALISM—THE NOVEL OF MANNERS_LECTURES ON THE HARVARD CLASSICS
2024-02-04FICTION IN THE ROMANTIC MOVEMENT_LECTURES ON THE HARVARD CLASSICS
2024-02-04FIELDING, SMOLLETT, STERNE, GOLDSMITH_LECTURES ON THE HARVARD CLASSICS
2024-02-04DEFOE AND RICHARDSON_LECTURES ON THE HARVARD CLASSICS
2024-02-04NOVEL AND DRAMA_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE RISE OF THE NOVEL_LECTURES ON THE HARVARD CLASSICS
2024-02-04EARLY FORMS OF FICTION_LECTURES ON THE HARVARD CLASSICS
2024-02-04I. GENERAL INTRODUCTION_LECTURES ON THE HARVARD CLASSICS
2024-02-04MILL’S CONTRIBUTION TO UTILITARIANISM AND LIBERALISM_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE STARVING OF EMOTION_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE DEFECTS OF MILL’S EDUCATION_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE SUPPOSED ADVANTAGES OF PRECOCITY_LECTURES ON THE HARVARD CLASSICS
2024-02-04V. JOHN STUART MILL_LECTURES ON THE HARVARD CLASSICS
2024-02-04WOOLMAN AND SLAVERY_LECTURES ON THE HARVARD CLASSICS
2024-02-04JOHN WOOLMAN’S RELIGION_LECTURES ON THE HARVARD CLASSICS
2024-02-04FRANKLIN’S MORALS AND RELIGION_LECTURES ON THE HARVARD CLASSICS
2024-02-04FRANKLIN IN POLITICS_LECTURES ON THE HARVARD CLASSICS
2024-02-04FRANKLIN’S METHODS IN LITERATURE AND SCIENCE_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE BREAKING DOWN OF PURITANISM_LECTURES ON THE HARVARD CLASSICS
2024-02-04IV. FRANKLIN AND WOOLMAN_LECTURES ON THE HARVARD CLASSICS
2024-02-04VALUE OF THE “AUTOBIOGRAPHY”_LECTURES ON THE HARVARD CLASSICS
2024-02-04CELLINI’s MORALITY_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE CORRECTNESS OF HIS ESTIMATE OF HIMSELF_LECTURES ON THE HARVARD CLASSICS
2024-02-04CELLINI AS A TYPE OF RENAISSANCE INDIVIDUALISM_LECTURES ON THE HARVARD CLASSICS
2024-02-04III. BENVENUTO CELLINI_LECTURES ON THE HARVARD CLASSICS
2024-02-04PLUTARCH’S OWN CONTRIBUTION TO HIS “LIVES”_LECTURES ON THE HARVARD CLASSICS
2024-02-04SCIENTIFIC AND PHILOSOPHIC BIOGRAPHY IN ANTIQUITY_LECTURES ON THE HARVARD CLASSICS
2024-02-04HIS CURIOSITY AND HIS PATRIOTISM_LECTURES ON THE HARVARD CLASSICS
2024-02-04PLUTARCH’S SUPERSTITION_LECTURES ON THE HARVARD CLASSICS
2024-02-04II. PLUTARCH_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE ART OF BIOGRAPHY_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE RELATION OF BIOGRAPHY TO FICTION_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE RELATION OF BIOGRAPHY TO HISTORY_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE VALUE OF AUTOBIOGRAPHY_LECTURES ON THE HARVARD CLASSICS
2024-02-04DR. JOHNSON AND HIS CIRCLE_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE VARIETY OF BIOGRAPHY_LECTURES ON THE HARVARD CLASSICS
2024-02-04CULTIVATING THE TASTE FOR BIOGRAPHY_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE DIFFICULTY OF BIOGRAPHICAL WRITINGC_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE PLEASURE OF BIOGRAPHY_LECTURES ON THE HARVARD CLASSICS
2024-02-04BIOGRAPHY NOT MERE EULOGY_LECTURES ON THE HARVARD CLASSICS
2024-02-04I. GENERAL INTRODUCTION_LECTURES ON THE HARVARD CLASSICS
2024-02-04HIS STYLE_LECTURES ON THE HARVARD CLASSICS
2024-02-04EMERSON’S UNIVERSALITY_LECTURES ON THE HARVARD CLASSICS
2024-02-04SOCIETY_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE PAST_LECTURES ON THE HARVARD CLASSICS
2024-02-04NATURE_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE OVER-SOUL_LECTURES ON THE HARVARD CLASSICS
2024-02-04EMERSON AND CALVINISM_LECTURES ON THE HARVARD CLASSICS
2024-02-04EMERSON AS LAY PREACHER_LECTURES ON THE HARVARD CLASSICS
2024-02-04V. EMERSON_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE FOLLOWERS OF KANT_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE SPHERE OF THE WILL_LECTURES ON THE HARVARD CLASSICS
2024-02-04THE KANTIAN REVOLUTION_LECTURES ON THE HARVARD CLASSICS
2024-02-04REASSERTION OF THE SPIRITUAL_LECTURES ON THE HARVARD CLASSICS
2024-02-04REVOLT AGAINST PURE EMPIRICISM AND PURE RATIONALISM_LECTURES ON THE HARVARD CLASSICS
2024-02-04IV. INTRODUCTION TO KANT_LECTURES ON THE HARVARD CLASSICS

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